Monday, November 19, 2007

Ordering information for The Wayfaring Stranger

The Wayfaring Stranger recently won second place at the North Texas Christian Writers' Conference in Dallas.
How to order your copys(s) of The Wayfaring Stranger.

Readers everywhere are enjoying our new novel. Here is how you can get your own personally autographed copies. (Great for Christmas gifts.)

1. email us at curtiles@aol.com. Tell us how many copies you want, how you'd like them signed, and your address. We'll send them your way with an invoice. (Books are $16.20 per copy including tax. Shipping is an additional $3.00 per order.)

2. Call us toll free at 1 866 520 1947 with your order. Same procedure as in # 1.

3. Visit our shopping page at http://www.creekbank.net/ Pay pal is our accepted payment.

4. Visit http://www.amazon.com/ to order all of the Creekbank books by Curt Iles.

Scroll down to read sample chapters

Thursday, September 13, 2007

See the Covers of "The Wayfaring Stranger"





The front cover of The Wayfaring Stranger. The sketch at right is an early depiction of my ideas. The actual cover is taken at the Dry Creek Camp prayer garden trail.

The picture shows Joe Moore walking down a woods trail upon entering No Man's Land.








3 Sample chapters are listed in the following blog entries.











This back cover for The Wayfaring Stranger.


The back cover features Eliza Clark and her first glimpse of Joseph.

Click on the pictures to see larger images.

The front cover model is Terry Iles and the beautiful girl on the back is Kendal Campbell. Both are sixth generation grandchildren of Joseph and Eliza.


Kendal's picture was taken by Kayla Gray


All other cover photography and set up are from Chad Smith at The Touch Studios.


Visit his excellent website at http://www.thetouchstudios.com/ to see more of Chad's work.
















Thursday, May 31, 2007

Introduction: The Wayfaring Stranger



This is the introduction for The Wayfaring Stranger. It is followed by the opening chapters.


Prologue

"It is Difficulties that show what men are. "

-Epictetus

A journey is defined as traveling from one place to another over a long period; sometimes it is called a passage, which can mean progress from one stage to another.
Normally we consider a journey a trek of physical miles and distance. However, the greatest journeys seem to be those of the heart—not just of the feet. This is a journey on the inside of a man or woman—in his/her soul and heart.
Come join Joseph Moore on this journey. . .



Introduction: “Just One Day”

I’ve now lived for over half a century among the piney woods of Southwestern Louisiana. Over these years, I’ve heard countless friends passionately say, “If I could go back in time for one day—just one day—I would walk under the virgin longleaf pine forests of Louisiana in the 1800’s .”
I remember my own great-grandmother describing the open forests of that time: “Baby, except in the creek bottoms where the hardwoods grew, all of the upland areas were covered in large majestic ‘yellow pines,’ which is what we called the longleafs. My, my—there weren’t any limbs until way up high, and the tops of the pines seemed to reach to heaven. Their tall canopies kept out the sunlight as well as undergrowth.
The ground was so clear under the trees that many times I watched my poppa ride his horse at a full gallop through the open forest.
Grandma Iles would continue, “The carpet of pine straw was so thick under the trees that wagons would roll quietly along on the cushion of needles. The quietness was only broken by the pines ‘singing’ as the wind blew in their tall tops.”
A far-off look in her eyes would seem to be re-capturing a vision of the woods from her youth. Then she would quietly sing a line of the old song, “In the Pines”:
In the pines, in the pines
Where the sun never shines,
And you shiver when the cold wind blows
I’ve never fully recovered from her descriptions. Even though I will never walk under those huge trees, The Wayfaring Stranger is my attempt to recreate on paper what my mind and heart have visualized since childhood.
So come join me as we travel to an area called “Ten Mile”—deep in the piney woods of Central Louisiana.


My great grandmother, Theodosia Iles by The Old House in Dry Creek. Painting by my uncle, Bill Iles.

An abstract painting of my great grandmother, Theodosia Wagnon Iles, by her grandson, Bill Iles.



















Curt in his
"Piney Woods Office"
near his house.


This is where much of
The Wayfaring Stranger
was written.

Tuesday, April 24, 2007

How "The Wayfaring Stranger" was arranged

This is my poster that I arranged the chapter sequence on. This allowed me a large view of the order of the book. With the story switching between Joseph (coming from Ireland) and Eliza (in Louisiana) my chapter poster was extremely important.

On my new book, A Good Place, I am using a clothesline hung in my office to attach the cards.


Monday, April 23, 2007

Chapter Three

Chapter 3: The Dead of Night



It was more than ironic that Joseph Moore, a young man trying to stay alive, was silently slipping into a graveyard after midnight. This was the first of two places he must go before daylight.
Even in the darkness, he easily found the grave. He had been here plenty of times. His prior nighttime visits had occurred when sleep would not come and raw sorrow filled his heart. On nights like that, he would walk the three miles to this cemetery.
The stone marker he knelt in front of tonight was crude, but was the common type of marker in the cemeteries of the Irish poor. He could barely read the etched inscription: Winnie Malloy Moore 1810–1846.
Putting his head against the stone, Joseph said, “Mother, I’ve come to see ye and tell ye that I may not be back. I love t’is land, but I have to leave. However, you’ll go with me in me heart.”
Standing up, seemingly with the weight of the world on his shoulders, he reached down and picked up a pebble beside the headstone. Then he stopped—he heard something on the wind—the words of an old Irish tune.
Its words made Joseph smile and grimace at the same time. The words were soft and gentle on his heart: I am just going over Jordan.
I am just going over home.
His mother had spoken those last words just before she died. In that darkened room of their cabin that sorrowful day two years ago, he had watched life seep out of his mother. Her words were so faint that he had to lean down to make out her words.
I am a poor wayfaring stranger,
traveling through this world of woe.
There is no sickness, toil, or danger,
in that bright land to which I go.

The words were spoken so weakly he was not sure anyone else heard them. Looking around, he could tell his sisters had also heard—the words of one of their mother’s favorite songs, “The Wayfaring Stranger.”
She had stopped then— Then finally, she quietly sang, seemingly as if she saw something the others in the room didn’t see:
I am just—just going over Jordan.
I am just going over home.



Then—she was gone!
Joseph, now at his mother’s grave in the darkness, knew the wind was playing tricks on his mind, but he seemed to hear the words of that song again:
I am a poor wayfaring stranger,
wandering through this world of woe.
Then all was quiet . . . and he knew he must be gone.
Joseph Moore, now a wayfaring stranger himself, put the small pebble in his pocket, and hurried off into the darkness toward the village of Westport. He must hurry if he was to reach his second destination before daylight.

As he stole into the village, he went by the imposing dark walls of the workhouse at the top of Quay Hill. This was the last resort of refuge for many of the famine victims. When all else had failed, many had come into its prison-like conditions to live, work, and usually die. Joseph had spent two weeks inside those workhouse walls and had vowed to die before returning there.
As he passed the nearby potter’s field called “The Rocky,” his pace quickened as well as his resolve. Through gritted teeth, he said, “I will escape from this place. I must escape County Mayo if I am to live. I will not be buried in The Rocky!”
Hurrying past the workhouse under the cover of darkness, he moved along the cobblestone streets of Westport toward the harbor. The port, located where the mouth of the Carrowbeg River flowed into the Atlantic Ocean, was a busy one receiving and dispatching ships across to America, as well as to English and European ports.
There were four or five smaller freighters docked at the port. In the darkness, still limping from his dog bite and aching where the pellets had peppered him, Joseph shuffled quietly along the streets. In his confused yet focused mind, he had developed a plan to escape Smith. However, it was not a plan just for tonight or tomorrow. He had made up his mind to get as far away from Westport as possible.
He eased down to the pier alongside a freighter and quietly called out, “Snyder. Are you there? Hey, it’s Moore—Joe Moore. I need your help.”
The coastal freighter was named the Murphy. Because the river depth was only twelve feet at Westport Harbor, the huge transatlantic clippers could not come in this far. They docked at the nearby deep water harbor on the island of Inishlyre.
Smaller ships like the Murphy were called “hooker ships” and did the important job of ferrying supplies between the harbor and the big boats. To escape the trouble awaiting him in Westport, he needed to get to the island where the larger ocean-going ships were.
He heard his friend Snyder sleepily call out. Joseph stepped onto the gangplank and then onto the boat. Telling Snyder of his plight, his friend agreed to hide him and get him to the island.
With daylight, the Murphy sailed out of the harbor going to pick up another load of Indian corn that had arrived from America for the famine. Hiding below deck was Joseph Moore.
He hid on the ship throughout the day as the loading of the corn progressed. When the Murphy turned back toward Westport, Joseph climbed down a ladder into the cold water of Clew Bay. He silently swam to the dock and found a quiet spot, awaiting darkness.
Joseph’s plan was both simple and desperate: He planned to climb aboard one of the large ships as a stowaway. If the ship stopped in another Irish port such as Clifden—or even Liverpool, the nearest English port, he could climb off the ship and then figure out what to do next.
However, he was terrified with one thought: What if the ship he boarded was headed across the ocean? If he boarded an outbound ship, it could be going across the Atlantic to any of dozens of American ports; that journey would be a point of no return. He would be at the mercy of fate as to his destination as well as his destiny. The idea of crossing the ocean on one of these ships gave him a chill and a real fear of the unknown gripped him strongly: The thought of leaving Ireland, the home of his ancestors for seven hundred years, sobered him. But to stay was not an option.
At the same time, this great unknown lying before him offered brightness and hope that he had not felt in a long time living with the desperation and distress that depicted western Ireland. He was reminded that what he saw behind him did not offer much in the way of hope. Four years of famine, death, and emigration had sucked the life out of his beloved County Mayo. The silhouette of the ships, creaking as they rocked on the water of the harbor, seemed to beckon and say that his real future lay on one of them.
But which of these ships should he board? As dusk fell, he watched a line of three darkened ships moored together along the dock. For some reason, which he would wonder about for the rest of his life, he passed up these three ships and saw a fourth anchored off the dock.

The coffin ship memorial along Clew Bay near Westport, Ireland. (The coffin ships were the unseaworthy ships that many Irish immigrants left their homeland on. If you click on the picture, you'll see that skeletons/ghosts are swirling around the deck.)

It was about two hundred feet from the dock. Its three masts were fitted with sails and there was activity on the ship, evidenced by a number of glowing lanterns and the echoing of voices aboard ship. Joseph carefully watched the shadowy forms moving about on this vessel.
Growing up in a harbor town he knew that a ship anchored away from the dock with the sails set was ready to pull out soon. This was exactly what he needed for his escape.
It was quiet except for the gentle rocking of the ships against the dock and the clanging of a metal bracket hitting the wooden side of the farthest boat. He quietly dropped into the cold waters of Inishlyre Harbor and stealthily swam toward a rope ladder hanging down from the main deck.
A small canvas-covered rowboat was tied alongside the ship. Joseph quietly swam to the boat with his head low in the water.
Approaching the small boat, he grabbed hold of the side making sure not to rock it. A rope ladder hung down from the ship to rowboat.
A sailor above him on deck stood near the ladder. Joseph waited until he heard the silhouette’s steps walk away toward the stern of the ship. With cat-like quickness and quietness, he straddled the boat’s side with his arm and leg. He rolled into the bottom of the boat and lay for what seemed like minutes waiting for the opportune time to climb the ladder. Several times, he heard the sound of a man’s footfall as the sentry walked by.
Finally, having listened enough to the passing of the sentry to be able to time his rounds, he climbed the ladder after the sailor passed. Reaching the top, a climb of about fifteen feet, he cautiously peered over the ship’s edge to see a deck filled with barrels of all sizes. He hoisted himself over the ship’s railing, plopping down onto the main deck. He rolled over, found his feet, and quickly scrambled to the space between two rows of barrels.
Kneeling among the barrels, his heart pounded within his chest. The previous day and night had been full of terrible stress and anxiety. His head pounded and his stomach reminded him that he had not eaten since the day before, but none of that mattered now. He was locked into a survival mode and the adrenaline of being pursued had given him a determination to both survive and live beyond this crisis.
Looking back to ensure he hadn’t been seen, he crawled further in among the rows of wooden barrels lashed to the deck. Soon voices came toward him as two men conversed in a language he did not understand. Joseph had never taken time to glance at the ship’s flag or name. He only knew this was the ship that was going to take him away from trouble.
Settling in among the barrels for the long night ahead, he peered at the dark outline of nearby Westport, where a few remaining lights flickered. One by one the lights went out as the small village settled down for the night. Sitting hidden among the barrels, exhaustion soon overtook Joseph and he fell asleep.

The next morning, the jolt of the ship moving awakened Joseph with a start. He would later call it “His defining mark of coming to America.” Peering from his hiding place, he watched the ship moving slowly to sea. He had never actually been on the sea before, but in spite of the fear in the pit of his stomach, he breathed in the bay’s fresh air and watched as the island receded in size. On his left he watched Croagh Patrick, Ireland’s most beloved mountain, began to shrink steadily in size.
Croagh Patrick meant “Patrick’s Mountain” and was a landmark known by all. Joseph knew its story well: The mountain had played an historic role in the lore of Ireland. St. Patrick, sometime in the fifth century had spent forty days of Lent on the mountain. It was then that God had given him his mission to the Irish and the Saint had supposedly banished all snakes from the island.
He had climbed it alone on many occasions as well as been part of the yearly pilgrimages when barefooted pilgrims scaled and scrambled their way to the rocky summit.
Watching Croagh Patrick disappearing, this young stowaway, now on a pilgrimage of his own, wondered if he would ever see this mountain again. At that moment, he realized that he had literally never been out of the shadow of this mountain in his life. Looking one last time through the mist to see the mountain, Joseph Moore felt the most alone he’d ever felt in his seventeen years of life.
As if in a dream, he seemed to hear a song on the wind—it spoke to him as a reminder of what he now was:
A poor wayfaring stranger,
traveling through this world of woe.


Croagh Patrick (right) with a statue of St. Patrick in the foreground. I climbed the mountain in a sleet storm.







The Wayfaring Stranger Chapter 4 "At Sea"



Chapter 4 At Sea


Clew Bay, Ireland
I took this picture of Clew Bay from atop Croagh Patrick during my visit in March 2007.

Sample chapters (however excerpts are) are not printed for the rest of the novel. If you're hooked, (and we hope you are) visit http://www.creekbank.net/ to order your autographed copy.


The rest of the blog features pictures, stories, and links concerning The Wayfaring Stranger.



Clare Island, just off the mainland coast of western Ireland. Ships sailing along the coast went through the water shown. Ocean-bound ships veered to the right.

"Ginger" the retired Irish undefeated fighting rooster taking a drink in an Irish pub.



















I patterned the ship's rooster after this photo.

Sunday, April 22, 2007

In The Pines Chapter 5







Chapter 5: In the Pines

















Photo Kisatchie National Forest Longleaf Pines .
This stand is along the Wild Azalea Trail near the Valentine Lake/Gardner area
Photo One of my prize possessions, a t-shirt from Freedom Baptist Church in Ten Mile, LA. This area, and church, is truly God's country and where many of my best friends live.










This bumper sticker was given to me by my friend, Terry Jackson. Terry is a proud Bearhead Redbone and represents how I feel people should feel about their heritage. (The Wayfaring Stranger covers the Ten Mile Redbone area -Pitkin-Plainview, LA- which is about fifty miles northeast of the Bearhead clan (Singer-DeQuincy-Starks.)

Visit Terry's blog at
http://bearheadstories.blogspot.com/ to read more as well as view pictures. (Be sure to read his Dec. 16 entry on "Maw and the Ax." It is a classic!

Telling about the Redbone heritage was one of the most sensitive parts of writing this book. Friends like Terry (through our blog) helped with corrections and gave me good insight. Below I've included the first two passages in the book that deal with Redbones:

Chapter 2 excerpt on Redbones

Eli, who never met a silence he was comfortable with, then asked, “Eliza, would you rather be called a ‘Ten Miler’ or a ‘Redbone?’”
She looked annoyed at him, “Talk quieter. Now why’d you ask a question like that for?”
“Oh, I just heard Poppa and Momma laughing about it the other day.”
“Well, Eli I don’t mind if you call me either. I figure I’m both. A ‘Ten Miler’ is someone living in our area—along Ten Mile Creek or Cherry Winche Creek, or even along this side of the Calcasieu.
“Everyone I know in the Ten Mile area, also are called ‘Redbones.’ That’s just a name for our people. It’s what the outsiders often call us—Redbones. That ain’t never bothered me, does it bother you?”
“Not a bit. Don’t it have to do with our Indian blood?”
“I’ve always thought so. ‘ Red’ for our ‘Red Man’s blood.’”

Chapter 5 excerpt on Redbones

Eliza jumped up from the steps and said, “Uncle Arch, Aunt Mollie . . . Eli here’s been asking a lot about how our folks of the Ten Mile area got here and how we got to be known as ‘Redbones.’ Could y’all fill him in on where our people came from?”
She quickly jerked Eli away from slapping the back of their coughing dad and pulled him over to listen. But Aunt Mollie was already scolding her dad, “Willard Clark, what were you fixing to say about telling ‘an Aunt Mollie’?”
Then she stopped abruptly—she could not resist getting the first word in ahead of her husband, so she turned away from red-faced Willard Clark and quickly took over answering the question: “Eli, now my daddy always said that our branch of Ten Milers came as a group from up in the Carolinas in the late 1700’s. For some reason, these Louisian’er piney woods reminded them of home and there weren’t no law and lots of open spaces, so they just stopped here and settled.”
Aunt Mollie
drew a breath and that was all Uncle Arch needed, “I tell you Babe , I know exactly why Mollie’s people come down from there—well, they wuz probably a bunch of hog thieves and no counts and got run—”
Mollie’s raised eyebrows and loud huff stopped Arch in mid-sentence. In mock seriousness he corrected himself, “No, Mollie, I want to apologize. That weren’t the real reason your people came down here.”
Uncle Arch continued in a conciliatory voice, “No, no, no—I take that back about your people.” He turned to Eliza, “Here’s the real truth, Eliza, Mollie’s people were the stubbornest people in the Carolinas. One day the English, or somebody in charge up there, told the settlers that nobody could leave—they all had to stay put. That night, the whole clan loaded up, skedaddled, and eventually got down here. Whaale, I tell you, Babe—that’s still a trait of her people: they are some kind of gosh awful stubborn. You can’t tell them nothing—not even the time of day or the day of the week—Well, like the fact that today is Wednesday.”
It was the needle he meant to stick in his wife and she yelled, “Thursday.”
“Nope, it’s Wednesday.“
Eli chimed in, “Y’all are both wrong, today is Friday.”
Both Willard Clark and Eliza spoke in unison, “Eli, hush!”
Aunt Mollie was now prepared to go on the offense again. “Arch Weeks, at least I know where my people came from and who they are. Your bunch ain’t got quite the same pedigree, that’s for sure.”
The old man sat up straight and proud in his cowhide chair. “Suunnnn, I’ll tell you about my people—My peoples didn’t come from nowhere. We didn’t have to get run out of the Carolinas. We’ve always been right here among the pines and the creeks.” He held his head up and his entire long face took on a smile, “My family line of Redbones always been here. We’re descendants of the Injuns that lived in these woods. Well now, you can look at me and see that real easy.”
Looking at the profile of Uncle Arch’s face as he sat there, Eliza could definitely see that Indian heritage: the dark skin and eyes, hawkish nose—each told of Indian blood in Uncle Arch. It was also easy to see how proud he was of this.
He continued, “Yep, that’s why we’re all called ‘Redbones.’ We got Indian blood in us.”
Eli asked, “What kind of Indian are you?”
“Whaale, a little bit of them all, Son. Our blood comes from the early Attakapa who lived here, and maybe a dash of Choctaw. Then there were them escaped Injun slaves from Texas—them Apache and Comanche.
“My Injun ancestors mixed in with some of the Frenchmen and probably some of Lafitte’s pirates, and we Redbones are the result of that. That’s why we’re wild, free, and impossible to tame.” His voice went up an octave as he stated, “That’s also why ain’t no timber company’s gonna take our land. They’ll find out about that Injun blood if they try! Well, that’s where we got our independent ornery streak from here in No Man’s Land!”
Uncle Arch, whom Eliza liked to call “Chief” when he gave his Indian heritage talk, sat smiling as he shook his head proudly
.

Eli asked, “Where ‘xactly is this here ‘No Man’s Land’?”
Uncle Arch said, “Let me put it this way: Ten year’ago, two gov’ment surveyors came through these parts. They stayed with Mollie and me for a couple of nights. One of them knew a lot ‘bout history and filled me in about our area. He said that ‘fore Louisiana became a state, this area was fought over by the Spanish and Frenchmen. They couldn’t agree on a border between and war nearly broke out over it.
“Finally, cooler heads got together. They agreed Spanish Texas would have their border at the Sabine River and the French would stick with the Calcasieu River. This made a fifty-mile wide area between the rivers into a ‘Neutral Strip.’
“That surveyor said that because both countries agreed to keep their soldiers out of the strip, it became a haven for every outlaw, escaped slave, and renegade Indian who wanted to escape the long arm of the law. The area between the two rivers, stretching from the Gulf of Mexico to ‘bout Natchitoches became known by three names: ‘The Neutral Strip,’ ‘No Man’s Land,’ and ‘The Outlaw Strip.’”
Uncle Arch ended his history lesson with a personal note, “I ain’t never liked that ‘Outlaw Strip’ name. Most folks around here, like our peoples, aren’t outlaws. They jes’ came here ‘cause they wanted to live where no gov’ment would bother them. We just want nobody tellin’ us what to do. That’s what I call freedom—jes’ being left alone!”
On Uncle Arch’s last sentence, Eli whispered in his sister’s ear, “Twelve.” She looked at him quizzically and he said, “That’s how many times he’s said ‘Whhaaale’ already.” Eli pronounced it just as he’d heard, and they both tried to suppress the giggles.
At this moment is when Eliza changed the direction of the conversation, “Uncle Arch and Aunt Mollie, I got something been bothering me a long time that I want to ask about. When I was ‘bout Eli’s age, I made one of my few trips out of the Ten Mile area and went with Poppa to Sugartown. While we were in the general store, a curious girl ‘bout my age came up. She had gold hair and wore a dress that looked store-bought. She looked me up and down before asking, “Who are you?’” I told her, “Eliza Jane Clark.” The girl shook her head as if to inform me that was not what she really wanted to know and then asked, ”No, what are you?”
“I laughed as I told her, ‘“Well, last time I checked I was a girl.’”
“The girl’s puzzled look let me know what she meant: What are you? Are you Indian? Spanish? Something else?
“I didn’t have a ready answer for her. I finally told her I lived at Ten Mile. Then I asked the her, “’And what are you, Sugartown girl?’”
“She said with a smile, ‘Why I’m ‘merican! Aren’t you?’
“Until that day the idea had never entered my skull that I might be an American, too.”
Eliza continued her story, “Then a woman marched over and grabbed the girl, scolding her, ‘You git away from that girl. She ain’t our kind.’
“The golden-haired girl tried to argue, but her mother said, ’We don’t have nothing to do with them kind. She’s got colored and injun in her. You remember that. She’s not our kind!’ That little girl was crying as her mother dragged her away—and so was I.”
As Eliza finished her story, a tear coursed down her cheek. Even her dad had never heard Eliza’s story. No one knew what to say—even the old couple sat there wordlessly.
Willard Clark, who hated to see his daughter cry, finally said, “But Liza, you never told me about—“
Aunt Mollie broke in, “Baby, you be proud of who you are. You are as beautiful and wonderful as any of them there girls in Sugartown—or anywhere else. Hold your head up high and don’t never apologize for who you are!”
Arch Weeks, who always found humor in every situation, broke the tension by pointing at his dark arms, ”Well Babe, I can’t tell y’all exactly what we’re made of, but somebody definitely left the biscuits in the oven too long on me.”
Eliza burst out laughing at his words. She loved the unique way that the old-timers could coin a phrase. The wise words and humorous words of this old couple were just what she needed.
Her laughter made Uncle Arch turn on her in mock anger, “What you laughing at, girl? You look like your biscuits done got browned a little too much yerself!”


"Babe, I would appreciate comments from readers on their favorite Redbone sayings and words." Use the comment button at the bottom of the blog to give me input.










"Aunt Mollie" Weeks is a character (as all of the story characters are) based on a composite of folks I've known. Aunt Mary Jane Lindsey, (left) one of Dry Creek's most memorable and beloved citizens of my childhood, would be a good example of Aunt Mollie.